Exhibitions

Applications for exhibitions here.

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Waldemar Kolbusz: OPEN STUDIO

Start date: 09 Sep 2022
End date: 11 Sep 2022
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OPENS Fri 23 Sept: 6-8PM

VIEW Sat 24 Sept and Sun 25 Sept: 10-4PM

New experimental and stockroom works.

kolbusz.com.au
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Caroline Cassel: NEW WORKS

Start date: 28 Oct 2022
End date: 30 Oct 2022
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OPENS Fri 28 Oct: 6-8PM

VIEW Sat 29 Oct and Sun 30 Oct: 10-4PM

Caroline Cassel lives and works in Paris, where she graduated from the École Nationale Supérieure des Beaux Arts. Cassel was then awarded a residency at the Crypt d’Orsay and also the Colin Lefranc Scholarship at Curtin University in Perth.

Cassel says of her paintings: “I work by analogy, by link, using cutting and collage to elaborate unique constructions. My paintings are inspired by elements of reality that have been transformed, mistreated, disembodied in order to be reborn by extraction, by change of scale, within a new context. These multiple possibilities or combinations allow for suggestive and surprising encounters.”

KolbuszSpace is proud to welcome Cassel back to Perth to show her new works.


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Image by Olivier Degorce

Matthew McAlpine: NEW WORKS

Start date: 18 Nov 2022
End date: 20 Nov 2022
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OPENS Fri 18 Nov: 6-8PM

VIEW Sat 19 Nov and Sun 20 Nov: 10-4PM

Matthew McAlpine is an emerging, interdisciplinary artist who lives and works in Whadjuk Nyoongar Boodja (Perth, Western Australia).

His practice aims to explore the complexities and problems of celebrating colonial history and legacies which whitewash history, deny Indigenous culture and rapidly degrade the environment.

McAlpine graduated from Curtin University in 2016 and was awarded a residency at ECU culminating in a show held at Spectrum Gallery Space in 2021.

matthewmcalpine.com
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Image: Ones to Watch, @arteditmagazine

A R T M A R T: Group show

Start date: 09 Dec 2022
End date: 11 Dec 2022
Into The Landscape of dicontent

OPENS Fri 9 Dec: 6-8PM

VIEW Sat 10 Dec and Sun 11 Dec: 10-4PM

Following the success of ART MART in 2020, KolbuszSpace again presents selected artist studio direct and quality / collectible clearance works – one weekend only.

Image: Gaye Jurisich. Into the Landscape of Discontent. Oil on canvas, 152 x 110cm

Past Exhibitions

Imogen Kotsoglo: MATTER

Start date: 12 Aug 2022
End date: 14 Aug 2022
MATTER 2 4 2022 (Thistle) – Ink and Charcoal on Arches Aquarelle – 76x56cm copy

OPENS Fri 12 August: 6-8PM

VIEW Sat 13 August and Sun 14 August: 10-4PM

VIEW CATALOGUE HERE

Kotsoglo’s intricate drawings seek to explore the capacity of visual art to represent and examine the wider implications of a perceived distinction between humans and the natural world. 

Kotsoglo’s rejection of anthropocentrism does not render her work political in the usual sense, instead providing space for reflection rather than rhetoric.

Kotsoglo will also be showing concurrently at PICA.

imogenkotsoglo.com
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Image: MATTER 2 4 2022 (Thistle) – Ink and Charcoal on Arches Aquarelle 300gsm – 76×56cm

Olivia Colja: RETURN TO THE HOOK

Start date: 22 Jul 2022
End date: 24 Jul 2022
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JULY 2022

VIEW CATALOGUE HERE

“A sharp two-stanza poem by Margaret Atwood ends with the lines “a fish hook / an open eye”. It offers an uncomfortable positioning of being both inside and outside the boundaries of control within individual relationships. Navigating such an in-betweenness of chaos and composure especially drives Olivia Colja’s art and her exhibition Return to the Hook.

Yet it’s difficult questions around intimacy that propel Colja’s latest work. ‘Competitive love is dangerous and Returning to the Hook is a line between knowing what’s moral and what’s socially taboo, but still behaving in a harmful way towards yourself and others. It can be subtle and unconscious or aggressive and explosive’, explains Colja.”

Excerpt from essay by Autumn Royal, ART GUIDE AUSTRALIA

oliviacolja.com
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Image: Youth, 2022. Oil on canvas 122 x 122cm

Christophe Canato: ANIMA

Start date: 11 Jun 2022
End date: 14 Jun 2022
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Online only: May 2022

VIEW CATALOGUE HERE

Christophe Canato is a French-Australian photo-media artist who was accepted to study at the École des Beaux-Arts in Paris at 17 and relocated to Perth in 2005.

Canato’s impeccably crafted and moving works explore social issues including politics and religion, physical identities and sexual orientations.

KolbuszSpace is proud to offer a studio-direct, limited release of his Anima series which examines male roles and identities in our contemporary western contexts.
This exhibition is a remarkable achievement. Each image is carefully wrought, a technical tour de force by a master of his craft. As Jean Cocteau explained “Art is a lie that always speaks the truth” and in this group of works Christophe Canato presents us with a series of elegantly constructed truths that are impossible to ignore.” TED SNELL, AM CitWA

christophecanato.com
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Image: Anima #4. Archival inkjet print, edition of 5. 110 x 110cm.

Aileen Corbett: BRUTALIST

Start date: 10 Jun 2022
End date: 12 Jun 2022
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JUNE 2022

** SOLD OUT **

VIEW CATALOGUE HERE

Aileen Corbett’s sculptural ceramic forms oscillate between art and architecture, figurative and minimal abstraction.  Whilst employing a lively arrangement of clean lines and sharp angles, her work is largely inspired by the physical environment and the utilitarian architecture of lesser seen cities. 

Maintaining a minimal aesthetic, Corbett is interested in the principles of order, balance and harmony whilst imbuing some of her works with a whimsical personality.

Corbett studied at the School of Clay and Art in Melbourne under Shane Kent. This is her first exhibition at KolbuszSpace.


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Image by Pier Carthew.

Diane Scott: BRUTALIST

Start date: 10 Jun 2022
End date: 12 Jun 2022
The Clearing, 2022. Acrylic, graphite. Synthetic Paper. 1520 x 1020 mm

JUNE 2022

VIEW CATALOGUE HERE

Diane Scott is a New Zealand artist who has a Master of Fine Arts (First Class Honours) from Elam School of Fine Arts University of Auckland. She is featured broadly through arts publications and her work is in corporate and private collections in NZ, USA and France.

Scott explores the tensions that exist between image and object and questions the hierarchies of the elements that comprise painting through the jumping of the image to the material, and from surface to void. She examines how an abstract painting can function as an object you see, but also in what that object makes visible through process, materiality and sensation.

Scott is interested in producing work that simultaneously questions and withholds, and how this resistance to translation is a vital part of an artwork’s enigma.


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Image: The Clearing, 2022. Acrylic and graphite on synthetic paper, sealed and mounted on aluminium, 151 x 102cm

Kartika Laili Ahmad: BRUTALIST

Start date: 10 Jun 2022
End date: 12 Jun 2022
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JUNE 2022

VIEW CATALOGUE HERE

Kartika Laili Ahmad is an emerging lighting designer based in Perth who blurs boundaries between commercial design and art installation.

Ahmad explores the use of neon and argon in her works and how it affects all of our senses – directly and indirectly.

“My work is influenced by my interest in how lighting can be used as a tool to stimulate and enhance the experiential quality in the interior environment.”

Designed and manufactured locally Ahmad controls the entire process to exacting engineering and finishes.

kartikalailiahmad.com
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Image supplied by artist.

Austin Honour: OUTER

Start date: 20 May 2022
End date: 22 May 2022
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MAY 2022

CATALOGUE HERE

Austin Honour is a British/Australian multidisciplinary artist who’s work collages conventions of painting, sculpture and tattooing. Previously located in Berlin, Honour is now based in Perth, Australia.

Obsessed with context and cultural concepts, Honour explores the fascination we all share with extraterrestrials and the overlap it forces between imagination and reality, both in this work and as a metaphor for his broader practice.

Honour was awarded a BA (Hons) Fine Arts from Central St Martins in London in 2014.

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Stills. Oil on linen 160 x 120cm

Waldemar Kolbusz: LOVE IS BACK

Start date: 28 Apr 2022
End date: 28 May 2022
happen insitu

VIEW CATALOGUE HERE

MAY 2022 Gallerysmith MELBOURNE

LOVE IS BACK by Waldemar Kolbusz presents in a climate of emotional maximalism, in which romance and joy are oversaturated and oversold to the extent that whatever original sensations might have existed, are now replaced. Relationships are mined for their honeymoon periods, then thrown away. The sensation of enjoyment begins to feel more of an appeal: I am in love. If you have ever had relatively meaningless sex with someone you appeared to be obsessed with only recently, you should recognise the husk of attachment I’m talking about. The exhibition isolates these tensions, considering which impressions might be truly our own.

Essay exerpt by Harry Sanderson

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kolbusz.com.au

Happen, 2022. Oil on linen 183 x 183CM

AUSTRALIAN DESIGN & ART

Start date: 27 Apr 2022
End date: 30 Apr 2022
cult

APRIL 2022

VIEW CATALOGUE HERE

Cult together with KolbuszSpace present an industry only event bringing together Australian design and art, with special guests Adam Goodrum and featured artists: Sam Bloor, Olivia Colja, Christophe Canato, Austin Honour, Waldemar Kolbusz, Imogen Kotsoglo, Matthew McVeigh, Matthew McAlpine and Joana Partyka.

View significant KolbuszSpace stockroom works alongside a collection showcase of furniture by Adam Goodrum for Australian design brand nau.

cultdesign.com.au

Dan Gladden & Kimberley Pace: LOOSE

Start date: 11 Mar 2022
End date: 13 Mar 2022
2. Dan Gladden and Kimberley Pace, _Pickle peel_, 2021, pencil on paper, 38 cm x 18 cm, photo by Dan Gladden

MARCH 2022

VIEW CATALOGUE HERE

The filtering of gaze and desire through the CIS white heterosexual male perspective is still the dominant lens in which we view and understand body, and is a lens Gladden and Pace aim to shift and subvert through these collaborative new drawings and ceramics.

Together both artists have produced work that investigates the body as fluid, transformative and capable of existing outside of the rigid and prescribed confines of heteronormative desire, while also analysing the intersections of their queer lenses.

These new works sit together to be sometimes sweet, sometimes vulgar but mostly offering a hot, sweaty, hairy and dripping alternative approach to desire.

Dan Gladden (b. 1983) is a WA artist who has exhibited extensively both nationally and internationally since completion of his Bachelor of Visual Arts (Hons) in 2006, including Hatched 06 at PICA. His figurative paintings and drawings explore ideals of the masculine form, and analyse the construction of archetypal male identities.

Kimberley Pace (b. 1984) is a WA artist who has completed a Master of Arts from ECU and has exhibited regularly since 2009 both nationally and internationally. Kimberley’s practice investigates the fluidness of the corporeal body explored through a multidisciplinary studio approach involving garment, object, ceramics, drawing, performance, video and sound.

Dan Gladden

Kimberley Pace

Dan Gladden and Kimberley Pace, Pickle Peel, 2021. Pencil on paper, 38 x 18 cm.

Sam Bloor: NEW WORKS

Start date: 12 Feb 2022
End date: 28 Feb 2022
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Online only Feb 2022

New works at KolbuszSpace to celebrate Sam Bloor’s significant Perth Festival exhibition UNDERTOW, where he will produce new works both on-site and beyond the walls of Fremantle Arts Centre which explore our coastline and the oceans beyond as a site of asylum and safe passage, interrogating Australian nationalism and border politics. The works challenge audiences to consider the necessity for generosity and compassion at a moment in time when our borders have never been so ferociously defended.

Since his sold out solo show at KolbuszSpace in Sept 2020, Bloor’s work has been acquired for the AGWA collection and he has shown and been collected internationally.

CATALOGUE HERE

www.sambloor.net

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Image: UNDERTOW for Perth Festival, sponsored by FAC. Site specific work, Tourist Wheel Fremantle WA.

Olivia Jones: BLOOM

Start date: 11 Feb 2022
End date: 13 Feb 2022
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FEB 2022

Olivia Jones’ visceral and evocative oil paintings deal with history and mental health. Starting with richly coloured foundations and adding crushed rocks from her family bush block in Toodyay, Jones learns that no amount of white paint can conceal or erase the colour and texture beneath. By submitting to this futility and working within these realities, Jones adds acceptance and depth to these striking works and to the experiences which have shaped her. These works are a confident and quiet triumph.

Olivia Jones is an early career artist working in Fremantle, Western Australia. She holds a Bachelor of Arts (Honours) from Curtin University and has exhibited at The Other Art Fair (Melbourne, 2017). This is her first major solo exhibition and was possible with funding awarded through the Department of Local Government, Sport and Cultural Industries for creative development.

CATALOGUE HERE

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oliviajones.net.au

Studio, photograph by Tasha Faye. 2021.

Luke Kolbusz: NEW ARMOUR

Start date: 10 Dec 2021
End date: 12 Dec 2021
table

DECEMBER 2021

(Catalogue essay excerpt by Harry Sanderson)
In early 2021 Luke Kolbusz rented a studio in Perth and began painting full time. This period of sustained concentration came after a few years of more fragmented practice following his graduation from UWA (BA Fine Art), which culminated in his first solo show, BIG WORLD. Ironically, it was only on the success of that first exhibition that Kolbusz’s scope truly expanded: he began working on larger canvases, increased the volume of his output, and made painting his primary vocation.

The muddy forms which had appeared in the BIG WORLD work also came into sharper focus. Those early paintings had consisted of vague figures and abstract shapes, which tended to fade through the canvas like fish in dark water. The new work was bright and lucid: the lines were clear and firm, and bolder blocks of colour began to appear against the washed-out out backgrounds. Kolbusz was developing into an artist who, if not necessarily more confident, was willing to be more upfront about his uncertainty.

This will be Luke Kolbusz’s second solo exhibition since graduation from Fine Arts (UWA) and after his sell-out first exhibition called Big World in 2020.

CATALOGUE HERE

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Sayer, 2021. Acrylic on canvas, 168 x 153cm

Austin Honour: BLUE ROOM

Start date: 19 Nov 2021
End date: 21 Nov 2021
The Mask

NOVEMBER 2021

Austin Honour is a British/Australian multidisciplinary artist who’s work collages conventions of painting, sculpture and tattooing. Previously located in Berlin, Honour is now based in Perth, Australia.

Interested in ideologies of history, material and value, Honour works within a holistic studio practice which aims to connect media, concept and form. Honour’s recent paintings stem from an engagement with found imagery often depicting objects of history and nature. Harking back as a pastiche of Picasso’s blue period and Yves Klein, Honour’s work tethers itself through colour as if being viewed through a veil of blue.

Honour was awarded a BA (Hons) Fine Arts from Central St Martins in London in 2014.

CATALOGUE HERE

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The Mask, 2020. Oil on canvas, 140 x 105cm

Leah Robbie – curator: AT HOME

Start date: 19 Nov 2021
End date: 21 Nov 2021
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NOVEMBER 2021

At Home represents the conclusion of a two year research project by curator Leah Robbie into the history of Perth’s domestic exhibition spaces. Materialised into an immersive installation at Kolbusz Space, you will be invited to explore a piece of Perth’s art history through the use of vintage furniture and featuring available works of early career artists:

Beverley ILES, Emma HORVÁT & Ómra CAOIMHE, Eveline RUYS, Georgia BISLEY, Hannah BECSI, Jane GRIERSON, Jane ZIEMONS, Joana PARTYKA, Laura SIKES, Marina VAN LEEUWEN, Rae WALTER, Sophie LA MAITRE

CATALOGUE HERE

Image: Terry Vinci, California Design 1930-65: Living in a Modern Way exhibition. 2014, Digital image.

Jordy Hewitt: WELLSPRING

Start date: 15 Oct 2021
End date: 17 Oct 2021
Bark VII crop sml_221 x 171 cm framed

OCTOBER 2021

Jordy Hewitt is an emerging Australian artist and painter. Born in Perth in 1985, she was awarded a Bachelor of Fine Arts from Curtin University in 2014. She has exhibited nationally in solo and group exhibitions and prizes including The Hutchins Art Prize (Tas), Whyalla Art Prize (SA), The Agendo Art Prize (VIC) and The Mandorla Art Award (WA). In 2016 she was awarded a Commercial Development Grant through the Department of Culture and the Arts, which helped her exhibit at The Other Art Fair in Sydney, where she won the People’s Choice Prize and her work promptly started garnering serious attention.

Hewitt’s new work shows a shedding away from what she has known to evolve deeper and find a new cycle and beginning, and challenge her mode d’emploi. Deliberately corrupting beautiful and blended colour fields into new muddy, dirty and unpredictable paintings, Hewitt takes them to an edge of mess through slapping, scraping and scratching. This new work shows bravery and confidence for an artist pushing themselves into uncharted realms and has resulted in hugely exciting new paintings.

CATALOGUE HERE

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www.jordyhewitt.com

Wellspring X, 2021. Oil and wax on canvas, 220 x 170 cm

Mal Harry: BORDERS OF ORDER

Start date: 24 Sep 2021
End date: 26 Sep 2021
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SEPTEMBER 2021

New installation work questioning Harry’s own personal biases, in the way he observes the world and processes information.

“This work relates to broader cultural biases in how we all observe, respond to and care for the land we live in. That’s from an individual’s response, through to the cultural systems we take for granted. There are many questions to ask about the true value of relating to and analysing the world in tiny, systemized parts. In the other extreme; what practical value is overlooked when processing information through a more expansive and “feeling” interaction when relating to objects and the space around us?”

CATALOGUE HERE

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www.malharry.com

Oyster Quadrat Version 2 – Settlers Beach. Oil & alkyd medium on aluminium plate 995 x 995mm

Eric Hynynen: NOTHING IN BETWEEN

Start date: 13 Aug 2021
End date: 15 Aug 2021
Bystander

AUGUST 2021

Hynynen is a collectible and award winning Finnish-Australian artist who captures a humanity which connects people with art through his bold and thought provoking works.

Hynynen’s practice moves seamlessly between painting, video and sculpture. His two-tone palettes invite a meditative contemplation on the dichotomies in society, providing a counterpoint between ‘man-made’ modernity, consumerism and expectation against the value and potential of simplicity in the natural world.

Nothing In Between will feature new abstract, sculptural Canvascape works which are enquiries into form and material, ebb and flow. These will be contrasted with new figurative paintings revealed in their essential elements of light and dark.

CATALOGUE HERE

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www.erichynynen.com

Bystander. 2021, oil on canvas 150 x 150cm

Gaye Jurisich: SECRETS & EXPOSURES

Start date: 23 Jul 2021
End date: 25 Jul 2021
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JULY 2021

Gaye Jurisich lives and works in Hamilton, New Zealand and is the first international artist to exhibit at Kolbusz Space. Hugely accomplished, Jurisich is an extensively respected and reviewed multi-disciplinary artist. This exhibition will be the first time Jurisich will show paintings in Australia and will also include some smaller sculptural works.

Secrets and Exposures are new works which interpret landscape as both narrative and energy, looking past the obvious to the artist’s interpretation of time, scale, space, spirit and combines this with her memories, desires, passions and fears.

CATALOGUE HERE

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www.gayejurisich.com

When The Gates Close. 2020, mixed media on board 40 x 48cm

Anna Sabadini: STUDIO DIRECT

Start date: 11 Jun 2021
End date: 13 Jun 2021
Sabadini_Anna_2014_Palette and Ideas_ink on paper and oil on board web

JUNE 2021

Studio Direct at Kolbusz Space presents a curated selection of Anna Sabadini’s recognisable investigations that include palettes and references to Old Master paintings. Each work moves beyond traditional edges by including an expanded context of materiality and inspiration from art history. The visibility of this context allows the viewer to appreciate the importance of relationships between paint, painting, painter and painting history. 

After receiving a Doctor of Creative Arts from Curtin University, Sabadini taught there for many years. She has exhibited nationally and her work has won numerous awards and is in significant collections. 

Studio Direct exhibitions provide collectors with a significant opportunity to invest in affordable and collectible works as a once-off opportunity. These exhibitions specifically support artists through periods of growth and flux in order to allow space and funds for further development of their artistic practices and promote sustainability of important artistic careers.

CATALOGUE HERE

Palette and Ideas. Ink and paper and oil on board 60 x 60cm

Waldemar Kolbusz: NOW

Start date: 07 May 2021
End date: 10 May 2021
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MAY 2021

New works concerning experiences we may all share, or want to share in contemporary everydayness, with consideration of the increasingly blurred difference between what we actually experience and what we convince ourselves (and others) we think should be the case.

These works have forced a slowing down in both process and a practical sense in the hope to reclaim our feelings and experiences as truthfully our own.

Continues at Aptos Cruz galleries ADELAIDE

CATALOGUE HERE

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www.kolbusz.com.au

Honey Boy. 2021, oil on linen 153 x 183cm

Joana Partyka: SUPPOSE YOU BROUGHT THE LIGHT INSIDE OF THE BODY

Start date: 16 Apr 2021
End date: 18 Apr 2021
partyka

APRIL 2021

In April 2020, the former president of the United States suggested injecting light and disinfectant into people’s bodies as a treatment for coronavirus. This is a thing that happened.

Suppose You Brought the Light Inside of the Body is an exploration of the meandering sorrow and absurdity of 2020. In this unique series of ceramic works, Partyka attempts to both make sense of and comment on the bewildering state of contemporary life and politics – the bush fires, the global pandemic, the social upheaval, the activism, the bumbling and bad politicians.

Fuelled by rage and grief, the work seeks to push the viewer to reflect on their own experience of the year, as well as offer hope and beauty from its ashes.

Partyka is a ceramicist, illustrator and political staffer based in Boorloo (Perth) and this is her first solo exhibition.

CATALOGUE HERE

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www.joanapartyka.com

Abolition. 2020, white stoneware, glaze, gold lustre, height 18cm.

Matthew McVeigh: RORSCHACH

Start date: 27 Feb 2021
End date: 01 Mar 2021
military (1) copy[4]

FEBRUARY 2021

Rorschach is a digital print series inspired by the amorphous ink blots while also playing homage to Andy Warhol’s 1984 series by the same name.

Developed by the Swiss psychiatrist Hermann Rorschach in the early 20th century, the Rorschach test consists of ten standardized blots for a patient to decipher. 

In these works made during isolation in 2020, McVeigh has collated media images on a range of social, political, economic and environmental issues that have both played on his psyche and saturated the media.

These layered and mirrored works invite the viewer to themselves decipher and contemplate the visual language of manipulated media imagery. Through these ten works, the same number as original blots, McVeigh has captured the veracity of where humanity has been in this era of post truth and anthropocene.

CATALOGUE HERE

www.mattmcveigh.com.au

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Military 2020 digital print 150 x 120cm

Art Mart 2020

Start date: 11 Dec 2020
End date: 13 Dec 2020
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DECEMBER 2020

selected artists – studio direct

Selected artists are encouraged to submit studio stock and experimental works, to invite collectors to start investigating their practice with a view to further investment. These art marts are designed for discounted work to sell, for introductions to be started, and grow confidence for new collectors.

CATALOGUE HERE

Waldemar Kolbusz: NEAR YOU

Start date: 30 Oct 2020
End date: 01 Nov 2020
lobby

OCTOBER 2020

Near You is a new body of work about the interplay between chance and identity – the similarities in experiences we may share and the disconnect in others, the randomness of that, and how it shapes who we become.

Continued at .M Contemporary in SYDNEY Nov 2020

CATALOGUE HERE

www.kolbusz.com.au

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Lobby 2020 oil on linen 122 x 91cm

Sam Bloor: THE BIRTH AND DEATH OF A MOUNTAIN.

Start date: 25 Sep 2020
End date: 27 Sep 2020
SamBloor poster a3

SEPTEMBER 2020

Sam Bloor presents ​The Birth and Death Of a Mountain. An exhibition of new textile and print works exploring Bloor’s upbringing in cult-like surroundings as the son of a preacher. Notions of eternity and agency collide, presenting new reflections upon the ways we find solace in the ever expanding and collapsing void that is our universe.

CATALOGUE HERE

www.sambloor.net

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Waldemar Kolbusz: FOR THE CHANCE OF IT

Start date: 22 May 2020
End date: 24 May 2020
Opening Times: Fri, Sat and Sun 10 - 4
lift-small (1)

MAY 2020

Continued at GallerySmith MELBOURNE June / July 2020

With a practice that alternates between abstract and more figurative painting, Waldemar Kolbusz’ works come naturally charged with a high energy. His large brightly coloured canvases pulsate and move, allowing a rich engagement with the works. He has always worked in a fluid way, and whilst a significant shift in thinking is required for different genres, his cerebral approach allows him to do both. It informs and nourishes the work; allowing freedom in the figurative works and giving shape to the abstract.

CATALOGUE HERE

www.kolbusz.com.au

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Lift 2020 oil on linen 152x122cm